Norwegian library with books that cannot be read
Some of the world’s most famous writers have written articles that would not be published for centuries – why? Richard Fisher visited the next library in Oslo to discover.
On Sunday morning, in a forest north of Oslo, Norway, more than 200 people gathered to watch a festival. They marched in a line – some with their dogs, some with their children – through gravel, and arrows on the ground made of sprinkled wood. The wind carries the scent of pine needles, burning wood and strong Norwegian coffee.
At their destination – a recently planted forest – people sit or crouch down on a slope full of spruce trees. Each tree is still about 1m (3ft) tall, but one day, when the spruces are 20-30 times larger, they will provide paper for a special collection of books. Everyone there knew they would not live to see it happen, and they would never get to read the books.
This is the next 2022 Librarian Festival, a 100-year art project created to expand people’s ideas of time, and their work for generations. Every year since 2014, Scottish actress Katie Paterson – along with her Norwegian counterpart Anne Beate Hovind and a group of trustees – has invited a distinguished author to present a manuscript, and the engagement will continue until 2113. Then, the century one after work. they begin, eventually they will all be published.
It started with author Margaret Atwood, who wrote an article called Scribbler Moon, and since then the library has sought advice from around the world, with the writings of English author David Mitchell, author of Icelandic Sjón, Turkish Elif Shafak, Han Kang from South Korea, and Vietnamese-American singer Vuong.
March 12 – Writers, artists, Oslo residents, families and animals (Credit: Library Future / Jola McDonald)
This year, Zimbabwean writer Tsitsi Dangarembga and Norwegian author Karl Ove Knausgaard came to the bush to tell their stories (with writers Mitchell and Sjón returning). They are barred from disclosing the contents of their work, they can only share the title: Dangarembga named her Narini and Donkey – Narini is derived from the Zimbabwean word “unlimited” – while Knausgaard introduces a unique title surprisingly, simply: The Book of the Blind.
All the inscriptions will be stored for almost a century in locked glass boxes in a secret room of Oslo’s main library, in a small wooden library called the Silent Room. In 2114, the pockets will be opened, and the trees will be cut down – and finally 100 stories hidden for a century will be published.
The writers – and everyone in Oslo on Sunday – knew they would probably not live to see it happen. Says Paterson: “It is a task not only of our imagination but also of the unborn. In fact, she added, “most writers are not yet born”.
So, why build a library where no one can read books today? And what can be learned from his experience so far?
Writer Karl Ove Knausgaard led the procession – handwritten note – followed by Oslo Mayor (Credit: Library Future / Jola McDonald)
The future library is not the beginning of Paterson’s artistic endeavors to address human relationships with long-term. She traced her passion for the subject from the early 20s, when she worked as a waiter in Iceland, and the amazing weather conditions found her. “You can almost read time in a row, you can feel the midday sun and the energy of the world,” she said. “It’s just a beautiful, glorious, waking state to be around.”
This led to one of her first works, Vatnajokull (listening): a phone number that anyone can call to listen to Icelandic glacier melting. Enter the number, and you will be sent to an underwater microphone at Lake Jökulsárlón in southeast Iceland, where the blue snow is rising and rising to the sea.
Since then, Paterson has explored deep moments from different angles, geologically, astronomically, humanistically: a glitterball that plays almost every famous solar eclipse in history on the wall, the “color” of space throughout his life, the smell of the world’s first trees. , or a necklace carved from 170 ancient bones depicting every stage of life.
Katie Paterson in Oslo Forest (Credit: Future Library / Jola McDonald)
One of her most recent exhibitions in Edinburgh, Requiem at the Ingleby Gallery, contains 364 bottles of crushed dust, each representing a different time in the depths of time. Vial # 1 is a presolar grain model that is older than the Sun, and then a four-billion-year-old rock, coral from the oceans of history, and other signs of the past.
Some guests were invited to pour one of the vials into the centerpiece: when I was there in June, I poured # 227, a four-million-year-old fossil Asteroidea, a kind of sea star. Later in time, the fields represent the human age, taking on human achievements – the Greek pot or the giant – but also the darkest time: a light blue of phosphorus fertilizer, microplastic from the deepest sea, or a tree that does not and light. branch from Hiroshima. When your technology interacts in depth, the early Anthropocene, the years that people have designed, will not be ignored.
Of all its long-term research activities though, the Next Library is the most memorable work in the long run itself. It must have been deliberately created. And this year its longevity has been confirmed: Oslo city leaders have signed an official agreement that puts them and their heirs together to protect the forest and library for the next 100 years.
How Paterson and his collaborators designed the project so it can take broad lessons to the rest of the world: about how to make something sustainable, and about what is needed to motivate people to think beyond things short-term attraction.
Festival attendees sit in tall trees that will provide paper for the library (Credit: Library Future / Jola McDonald)
The next Library project is one of the many art projects I have encountered in recent years that are looking to develop long-term thinking. Over the past few years, I have written a book of my own called The Long View, which is why the world needs to change the course of time. Along the way, I heard an album of music that would play for 1,000 years, read an infinite number of songs being sung in one Dutch street at a time, and received an invitation to a festival in 2269.
I appreciate the work of the future Library, because it not only encourages the “long-term” vision, but also invites all who have learned about it to reflect on their past work and what they left behind behind the coming nations. In the 21st century, we offer a wide range of beds for unborn people: hot weather, plastic fields in the oceans, nuclear waste underground. It is unlikely that our era offers anything truly to an unborn offspring. Of course the 7.8 billion people living today will leave a lot of beds – traditional songs, comics, great buildings or great movies – but is it a gift of selflessness if you start enjoy it?
The future library can be distinguished by another type of “bed library”: the type of US president. While the latter is also a gift to the offspring, what makes it perhaps unworthy is: a living politician enjoys their name affixed to a large building in their lives, a memory of their name.
Anne Beate Hovind with a contract awarded to the City of Oslo to protect the library for 100 years (Credit: Library Future / Kristin von Hirsch)
This is not to say that the next Library should be viewed as a sacrifice. Nor do I believe, as one critic once suggested, that it is an elitist period that separates people. Some may argue that the main purpose of the library is to provide books for everyone, but the project offers a variety of benefits to those who work with it today.
Sometimes I come across an idea that assumes that caring for future people means letting go of happiness in the present. The future library shows that it is not zero: delivery to tomorrow does not need to take from today.
There is no escaping the fact that you and I cannot read the books, but everyone can enjoy a wild visit (see it on Google Earth). While I was there, the streets were full of families, drivers and mountaineers, enjoying the sun in a country that was accessible to the public. It is also possible to spend time in the Silent Room, which carries the text. It is housed in the main library of Oslo (original), and after the 2022 festival, Mayor Marianne Borgen cut the ribbon to open it to the public.
The discovery of the Silent Room is similar to the arrival of the station to another planet. After taking a five-story hike – past the students working at the table and the children walking through the picture books – you arrive at what looks like a wooden cave, in a quiet corner between the libraries. Once you take off your shoes, you can go in. Inside, the columns along the walls encircle a small space with 100 glass locks, one for each text. “It feels like sitting in a tree,” Paterson said. “It’s very magical, because it’s small and it’s close: surrounded by a tree ring, with light shining through the painting.”
Silent door in Oslo’s main library (Credit: Richard Fisher)
In the Silent Room, where the text is stored in glass pockets (Credit: Richard Fisher)
During my visit to Norway this weekend, I also enjoyed how the next Library was meaningful to all the people affected, and how it enriched their lives. Over the past eight years, the project has been developing a jealous community with trees. Hovind called it the “Next Family Library”, and clearly moved when she talked about their distance from the beginning of uncertainty.
One thing I learned while researching on the basis of long-term thinking: it would be easier to develop a long-term perspective if you could do so in the community. People prefer to care deeply about time and unborn people when they are surrounded by like-minded peers – with all the social benefits of family and values that this can bring.
For the next Library, this community also contributes to supporting the sustainability of the project itself. If Paterson chooses to work alone, her future will depend on her self-interest and continued existence, but now that there are hundreds of people affected, he can easily move on for 100 years (and beyond) without it is not – just as fibrous. a rope does not depend on a single thread running all its length. As Paterson pointed out during the ceremony, “The front library was built with a lot of hands”.
I have found that communities that are willing to embrace culture and culture are also more resilient. For a future library, the transition to the wild has gradually evolved to include music and reading – this year, a mix of Zimbabwean, Norwegian and Buddhist drama. In my research on long-standing religions and world cultures, I have noticed how cultures can be vessels of ideas and beliefs over time: through repetition and celebration, they meet people regularly- constant, they prove that the value is shared – belief that the future. generations are important, for example – it continues to grow and grow.
In the next century, anyone could visit the forest on public land (Credit: Richard Fisher)
The last thing I was interested in about the next Library was its ability to improve and adapt over time. Paterson and his colleagues designed it to give future generations a choice about how the project will be organized: which writers will choose, how the annual event will be held, who will be invited, and what will take place on cover of books.
Decisions will be made in the future on forest farming. At the 2022 ceremony, a Norwegian forest ranger accused of caring for trees revealed that he had planted a leaf species with spruces – a standard practice to promote healthy growth. He explained that future project managers will decide whether to keep this type of tree, using more wood for the books, or stick to a particular type of spruce. Spruces will make the woods brighter but darker, he said, while the mixture of species will be confusing but bring light.
In the next generation, the authors themselves will need to adjust every year. For example, the organization now knows for sure that they will not live to see their books published, which for some brings some freedom. For Mitchell, it allowed him to compose a series of Beatles songs that would fade away from copyright (“Here Comes the Sun” – the full story that he let slip by accident in 2017); Knausgaard laughs at the joy of not worrying about critics of the literature; and Dangarembga describes how ‘freedom is achieved’: “If they decide every time a database is opened that it is not what they want to publish, it will not threaten my life.
One of the spruce trees grows with a leaf species in the next library forest (Credit: Richard Fisher)
However, in the last few decades, most writers will live to 2114. Will it change what they write? The last author, who composed their words in the 22nd century, would have to wait only a year. With that in mind, I can’t help but wonder if future trustees will choose to change the original plan, and publish Atwood’s book only in 2114, then Mitchell’s for next year, and so on. It will be a big change, but allowing future people to make such decisions is worthwhile at the heart of the project. The best heirlooms of our time that would seek to leave behind the unborn are not a reminder of our glory – it is a power of choice.
“The next Librarian project is a vote of confidence for the future,” Mitchell wrote in a note with his contribution in 2015. “We must trust our successor, their successor, and theirs, to lead the project through a hundred years a hundred years. political skulduggery, climate change, budget cutbacks and zombie apocalypses… Trust is a force for good in our cynical world, and the future Library is a reliable generator. “
Of course, as author Jay Griffiths points out in his post-2020 data: “The word‘ tree ’in English and tre in Norwegian is related to these words: truth and tro; trustworthy, trustworthy and troverdig; old. -fashioned English word ‘I trow’ (I believe it to be true); trust and betror; tryst, betroth and trolove, trusting in love and the future. “
Paterson and her son enter Silent’s room (Credit: Future Library / Kristin von Hirsch)
Ultimately, the following Library is a statement of hope – a statement of confidence in the potential that you may have for our children in the long run.
When I spoke to Paterson, she pointed out that while she herself would never read the books, there were at least one festival participant who could – her son, who would be in her 90s in the 22nd century. he is not concerned about traveling to famous writers, and asking them questions. When there was silence, watching as the writers entered the Silent Room storing their notes in the drawer, he shouted: “WHAT’S IN?” (Exactly what everyone thinks.) Mitchell – still in stockings after taking off his shoes to enter the room – sat down next to him in the library and told him what he had seen. I would like to think and reveal a few details about his personal story, but that, of course, would be haraam.
Afterwards, Paterson grabbed her son’s hand and led him inside to take a closer look. He does not know yet, but this place, the forest, and the community that gathers here once a year, will be part of his life with his mother for many years to come – the thread running through their two lives , and perhaps farther than that.
* Richard Fisher is a great journalist for the future of the BBC and tweets @rifish. He wrote The Long-termist’s Field Guide, and is the author of an upcoming book called The Long View (Wildfire / Headline).
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PM2: Production system manager for Node. js applications that have a built-in weight scale. PM2 allows you to keep applications alive, uploads them in no time, and helps you manage application access, monitoring, and compilation.
How do I run node files continuously?
3. Run Node Background Keep Using Node Package Forever. This may interest you : Ohio Politics Explained Podcast: Gas Taxes, a Post-Trump Ohio PAC and the Wait for Abortion.
- Place the Node package forever. …
- After installation, run the npm calculation command to see how to install the package permanently. …
- Start node js HTTP web server with permanent start. …
- You can use the eternal account command # to list all activities that run forever.
Can NodeJS run multiple threads? Like JavaScript, Node. js does not support Multi-threading. Node. js is a standard multi-threaded language like Java.
How do I run multiple node servers?
Yes you can run multiple node examples, all you have to do is change the channel number the server is listening to. If you are using the design system then you can do just that in the app. js file. If you do not use the description system then you must change it to a folder which is usually the server.
How do I run NodeJS files forever?
Permanent installation can be used in two ways: with a permanent CLI tool and with a permanent monitor. To see also : Photos from the 2022 Diversity, Equity and Inclusion in Business Event – Albany Business Review. The permanent monitoring tool can be used to run the application with the use of a permanent number.
What does the forever block do?
Permanent block is used to run the program repeatedly without clicking the mouse. It means you do not need to click again to repeat the process. On the same subject : Small business owners are influencing Democrats running for the Senate. The plug in this eternal block will be a loop; it’s a bit similar to the Repeat () block and Repeat Up to () block.
How can you stop blocking forever? You can do this by placing a block in the permanent block. You need to activate the script, for example with when the flag is clicked or when I receive the block. Or check the use of the operator with the correct value. Tip: You can stop the block permanently by clicking the Stop button above the Stage, or by using the stop blocks.
What is a forever block in coding?
Is forever block a loop?
With the “Eternal” block, “Repeat” block, and “Repeat block”, we have the ability to create loops in our program that run our code several times, without the need to press a button . akai-akai.
Why do I need node?
Node. js is compatible with this project with built-in data loggers that support data flow and allow the creation of readable data streams and scripts. If we add that Netflix, the global media service provider, uses Node. js, you can understand how powerful this context is.
What are the benefits of nodes? Node. js is considered as a complete JavaScript to provide client and server side applications. So, the advantage is, you don’t have to hire different developers for the past and the future. It saves all your valuable money and time.
Why do we need node?
Node. js is easy to operate as a server side proxy where it can carry a large number of connections at the same time in a non-blocking way. It is especially useful to deploy different tasks with different response times, or to collect data from multiple locations.
Why do we need NodeJS and NPM?
Npm has packets that are used in our applications to perform the upgrade process quickly and efficiently. Node. js has a set of nutrients that can be used without additional installation. We can install some custom products from NPM as required for application.
Why do we need pm2?
Pm2 is a process manager that helps keep your Node. js application is always alive. Pm2 runs in the background as a service or daemon, managing your Node.
Is PM2 better than Docker? The difference with PM2 is that it uses Node. js cluster module. PM2 creates multiple processes and the cluster system is responsible for distributing incoming traffic to each process. With Docker, traffic distribution is controlled by a weight scale, which we’ll talk about a little bit.
Do we need PM2 in Docker?
2 Answers. Show actions on this message. There is usually no point in using pm2 in the docker. Both PM2 and Docker are process managers and both can push the log, reactivate crashed employees and much more.
Is PM2 good for production?
There are many process managers out there, especially Forever, StrongLoop’s Process Manager, and the excellent ol’SystemD. Then there’s PM2, with over 60 million downloads and 25 GitHub stars (and they’re flying!). We like PM2 because it just installs, is easy to use and makes controlling the production environment poor.
