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Standing among the majestic California oak trees and the walking path at the outer edge of the spacious Stanford arboretum is the acquisition of a new public artwork by Beverly Pepper (1922-2020). Posted last month on Lomita Drive of the Anderson Collection, The Stanford Columns, 2022, is a gift from the Fisher Family in honor of Doris Fisher, ’53, and her lifelong friendship with the artist.

Pepper’s celebrated international career included the International Sculpture Center Lifetime Achievement Award in 2013 which acknowledged his contribution to sculpture. Previous recipients include Louise Bourgeois, Frank Stella, and Anthony Caro.

The Stanford General Arts Committee has been actively changing the campus landscape with site -specific outdoor work, including Pars Pro Toto by Alicja Kwade on Quad Science and Engineering and Hello by Xu Zhen on the Meyer Green plinth. Pepper’s The Stanford Columns joins Stone River by Andy Goldsworthy across from the art museum.

“The public arts committee is very excited about this addition to the campus arts program. We determined that the expansion arboretum adjacent to the art museum would be the perfect venue for Beverly Pepper’s monumental work that shows classic ruins, urban engineering, and tall trees on campus, ”said Matthew Tiews, vice president of the out-of-campus engagement. . concluded his leadership of the General Arts Committee in May. “This addition to the arts district makes it more of a destination than ever.”

Given the lasting relationship between Fishers and Pepper that evolved from one patron and artist to mutual friendship, it is fitting that this work came to the Stanford campus to honor Doris Fisher. In 1999, Fishers gave Split Pyramid, 1971, to the Cantor Art Center, which the artist claimed was one of his favorite works. Three years later, Cantor got another work outside of Pepper, Bedford Sentinels, 1990.

Stanford Columns is a sculptural edition of Pepper The Todi Columns in Todi, Italy, where the artist lived for decades, and was explicitly created for Stanford. The bright red-brown color of the Cast-Ten steel signals that the origin of the 40-foot column is a foundry, not a seed. But the velvety appearance of the oxidized patina is not like brightly colored lichen, and the four tapered, irregular steel columns, each weighing between 3 and 5 tons, suggest massive tree trunks. Influence both industrial and organic. Pepper once said of his work, “I plan the sculptures to bridge the gap of time, hopefully holding a measure of the lasting qualities that draw us to the immortal monuments of the world.”

“My mother, having lived so much of her life in Italy, was always in conversation with the narrow-minded‘ ancient ’,” said Pulitzer Prize-winning poet Jorie Graham, Pepper’s daughter. “He never regarded the past as the past. And he spoke directly to the people of the deep future. He imagined, no doubt, how they could come to this place in 500 or 1,000 years, wondering for what this totem was, who the beings who built them, what they worshiped, why they disappeared.It is amazing to imagine the temporal duration they reach and wake up.And it gives them a high anonymity – which he fights in everything he does.

A life of achievement

Born in 1922 in Brooklyn, Beverly Pepper trained as a painter in Paris. She moved to Italy in the 1950s and later turned into a sculptor. Read also : Detroit Office of Arts, Culture and Entrepreneurship Issues Open Call for Artist to Maling Community Mural on the Farwell Recreation Center. In addition to his life of gallery exhibitions, he has many solo museum shows, including at The Brooklyn Museum, New York; San Francisco Museum of Art, California; and most recently, the Museo dell’Ara Pacis in Rome. He died in February 2020.

Pepper is drawn into ingredients that have the annual ability to speak to future generations. In an interview, he said, “Obviously we can’t rebuild the monuments of the ancient world, but we can aspire to re-vote, however, the modern world, some enduring and perhaps renewable sensation of wonder, even wonder.”

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Posted July 8, 2022 at 11:13 am EDTDelaware Public Media Kelli Steele…

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